>

Lead with respect for the artists

>

Embrace the subjectivity inherent in engaging with any piece of art: meet shows where they are at, acknowledge who they are for, and critique from that acknowledgment

>

Offer multiple perspectives

>

Curating a minimum of three views on each show

>

Hiring and paying contributors of diverse backgrounds—meaning genre and aesthetic preferences, race, spirituality, gender, ability, sexuality, culture, age, and nationality

>

Rotating contributors monthly so that one voice is never dominating the critical conversation

>

Create respectful, symbiotic relationships between critics and artists

>

Change how we measure value and success in the theater

>

Amplify voices of the global majority who are redefining what theater is and how we make it