2022–2023

Issue One: Catch As Catch Can

November 20, 2022

Catching Catch Again

Julia Izumi

In Catch As Catch Can, Family ties bind, bend, and break

Andrea Hiebler

What Remains

Jesse Jae Hoon

Issue Two: KPOP

December 1, 2022

Broadway wasn’t ready for KPOP. But was KPOP ready for Broadway?

Cheeyang Ng

A reflection on KPOP: Have We Made it Yet?

Sunny Min-Sook Hitt

Broadway Bias Wrecker

Christine Mok

Issue Three: Events

December 16, 2022

“The coolness of the job gives you permission to put yourself in second place.”

Barbara Samuels (she/her)

Back to Back 15 Hour Workdays are Considered Illegal in Most Industries, But Not EVENTS

Tura Oliveira

Post-post-irony in EVENTS

Laurel Atwell

Issue Four: Public Obscenities

March 9, 2023

I’m in Kolkata, Again

Ankita Raturi

Beyond “being seen”: On being seen, heard, smelled, and felt by Public Obscenities

Bedatri D. Choudhury

A Bounty of South Asian American Theater: Reflections on Public Obscenities and Elyria

Sharbari Ahmed

Issue Five: National Capital New Play Festival

April 21, 2023

When Women Leave

Jordan Ealey

Women’s Work: Mary Kathryn Nagle’s On the Far End and Morgan Gould’s Jennifer Who is Leaving

Soyica Diggs Colbert

Seeing the Work in Jennifer, Who Is Leaving and On the Far End

Jared Strange

Issue Six: This Land Was Made

June 9, 2023

Making a New Land

Eisa Davis

Tracing the Tracks: On Music and Memory in This Land Was Made

Andrea Hiebler

This Land Was Made Taps into History’s Well

Gloria Oladipo

Issue Seven: The Welcoming

July 28, 2023

Walking Up to Meet You

LeeAnn Dowd

A Review of THE WELCOMING from 10-year-old Wakes Wilner

Staff Writer

Remembering the Welcoming

Julius Ernesto Rea

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